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| CORK BOARD FOR DANTE'S INFERNO | |||
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When I'm writing a story I keep my eye out for inspirational images. These might be source images from research, or completely random things that only make sense to me. Sometimes I make sketches that go with the story, or in a sort of retroactive creative process I will rifle through old sketch books searching for images that remind me of what I am currently writing. All of this material goes on a cork board that sits across from me while I work. The longer the story, the more complex the board. Below are a few of the images that helped me write Dante's Inferno. |
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| Dante-esque I sketched this image from an old painting or drawing. Unfortunately, I can't remember where anymore! I'm not saying he's the perfect Dante--the perfect Dante is the one that exists in your own mind-- but he reminds me of Dante. |
Serena Sketch This is all my own, done quickly while thinking about the story. There was just something about the black mask against the fair hair that I had to get down. |
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| Canaletto, The Grand Canal and the Church
of the Salute, 1730. |
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| Boarding a gondola |
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Pietro Longhi, The Charlatan, 1757 (detail) This shows you a closer view of the black robes and hats that both Dante and Serena wear their first and second nights together. The man is masked, the woman is not. The combination of hat, cloak and mask is called the bautta. |
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